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Amelia Peabody
Crocodile on the Sandbank
The Curse of the Pharaohs
 
The Mummy Case
 
Lion in the Valley
 
Deeds of the Disturber
 

The Last Camel Died at Noon
 
The Snake, the Crocodile and the Dog
  
The Hippopotamus Pool 
Seeing a Large Cat
 
The Ape Who Guards the Balance
 
The Falcon at the Portal
 
He Shall Thunder in the Sky
 

Lord of the Silent
The Golden One
Children of the Storm
Amelia Peabody's Egypt



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 Collecting Amelia's : A Guide to Elizabeth Peters' First Editions
First Edition Cover  - Seeing a Large Cat - Artist,  Phillip Singer
Nineth Book in the Series

The Amelia Peabody Series
Seeing a Large Cat

Seeing a Large Cat by Elizabeth Peters
First Edition - United States
Published by Warner Books, Inc., 1997.
Jacket Design - Mario Pulice
Jacket Illustration - Phillip Singer
ISBN: 0-446-51834-4

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In the street outside Shepheard's Hotel, Emerson feels a note being slipped into his pocket, "Stay away from tomb Twenty-A."  

As they settle into Luxor for the season, "another pair of confounded lovers" vye for Amelia's attention.  Actually it is a previously known pair of lovers, Enid and Donald Fraser from Lion in the Valley. Enid appeals to Amelia to help her disengage Donald from an entanglement with a spiritualist, Mrs. Jones.  But Donald seems very reluctant to give up his quest for Princess Tasherit and even Mrs. Jones is feeling that the whole thing has gone too far.

Cyrus Vandergelt joins them in the Valley of the Kings and of course there is another body.

David, Ramses and Nefret are growing up and Bastet has gone to chase that last mouse in the sky. There is a new cat, Sekhmet, but it is too simpering for Ramses' taste.  

Amelia plots, the teenagers seek adventure, the spiritualist hold seances and the murderer lurks somewhere in the background.

This book is about the growing up of Ramses, David and Nefret, and the themes of Ramses's unrequited love, and David's dual loyalties to Egypt and the Emerson's.

The recurring character of Catherine "Cat" Jones is introduced in this book, and another narrative point of view is introduced through the diaries of "H".  

This narrative device will be used in most of the following books so that the story can be carried forward without the full knowledge of Amelia.  It goes without saying that Emerson is so busy trying to clear away the interferences to his archaeological work that he never has the full story. But he hides his surprise well under the veiled lids of  his incredibly handsome eyes.

 
 

 
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